Yes, a 6th rewrite. It becomes more clear to me with each go-through and turn of the page that what I wrote the first five times was a particularly well-crafted skeleton, but I keep running into the same problems:
1 People can't picture the characters and scenes as I describe them. In part this is because I'm light on details, usually only the relevant of-the-moment details for coloring the story to life, but I've changed a lot of the sound of piece, the character's anger being a big issue (Because his writer is less angry), so I've found the flexibility to put in details...and it's helping. But it's got me going through this literally a line at a time to see what I can trim, rebuild and shape better.
2 People still can't tell who's speaking. I want to wholly blame other people for their not figuring out if two people are speaking, and you already saw what X-said, the other dialogue must be Y. And sometimes people are just a little thick on the idea, and sometimes I'm not leaving enough cues within the dialogue for them to figure it out. Again, this has got me going back to a line-item analysis.
3 I'm not cohering things together, just writing scenes. Nothing is more infuriating to me than this charge, and it makes me want to hurl things. This is my fear, that I am unable to craft a contiguous plot, and one thing I'm actually learning is that my fear is unfounded, because there is a plot, it's just not strongly delineated. Again, line-by-line edits help me fight this feeling of a disjointed story.
So, I'm 30 pages into the rewrite, after 2 days of work. And I have all of May to work relatively undisturbed on it. My new goal is to work as diligently and as intensely as I can, and re-assess my goals on Memorial Day. My gut says the novel will be complete by then, and I can spend June mapping out the second while I send this one out. That's an awesome thing to say, so I'll have to say it more often.
Thanks John. Regardless of how on the mark each of these criticisms are, they are useful things for anyone, in any story, to pause and consider.
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